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Released in 1998, Obsolete marked a defining moment in Fear Factory’s career, both musically and conceptually. As a follow-up to Demanufacture, this album built upon the band’s signature fusion of industrial metal, groove-laden riffs, and mechanized rhythms while introducing a deeper narrative and a more atmospheric approach. With its dystopian concept and cinematic elements, Obsolete stands as one of Fear Factory’s most ambitious and successful works.
Concept & Atmosphere
At its core, Obsolete is a concept album that tells the story of a future where machines have taken over, and humanity is on the verge of extinction. The protagonist, Edgecrusher, is a fugitive rebel fighting against this oppressive system. This narrative is woven throughout the album’s lyrics, song titles, and even the sonic choices. The industrial textures, mechanical drum patterns, and Burton C. Bell’s alternating guttural screams and melodic singing all contribute to this apocalyptic vision.
Musical Execution
The album kicks off with “Shock,” a pummeling opener that immediately establishes the album’s heavy, mechanical groove. Dino Cazares’ guitar work is razor-sharp, delivering crushing down-tuned riffs that blend seamlessly with Raymond Herrera’s precise drum patterns. The use of syncopation and double-kick drumming gives the music a relentless, machine-like quality.
“Edgecrusher” takes a different approach, incorporating hip-hop-inspired beats and spoken-word passages, adding a fresh dynamic to the album. It’s one of Fear Factory’s most unique songs, balancing aggression with groove.
Tracks like “Smasher/Devourer” and “Securitron (Police State 2000)” reinforce the dystopian theme, with driving riffs and a militant, authoritarian feel. The latter track, in particular, captures the oppressive nature of a surveillance society with its robotic, chant-like vocal delivery.
Melodic Depth
Where Obsolete truly sets itself apart from Fear Factory’s earlier work is in its melodic experimentation. “Descent” is a prime example, featuring soaring clean vocals from Bell that contrast against the album’s usual brutality. This track brings an emotional weight to the story, showing the protagonist’s struggle beyond just rage and rebellion.
“Resurrection” is another standout, serving as one of the most anthemic songs in Fear Factory’s catalog. Its slower tempo, atmospheric synths, and layered vocal harmonies create a haunting yet uplifting climax that embodies the album’s themes of defiance and rebirth.
“Timelessness” closes the album on an unexpected note, a somber and orchestral track that leans more into cinematic territory than traditional metal. This experimental ending adds depth to the album’s storytelling, reinforcing the idea of isolation and finality.
Production & Impact
Produced by Rhys Fulber, Obsolete sounds massive, with a cold, industrial sheen that enhances its mechanical themes. The tight, percussive precision of the guitars and Herrera’s machine-like drumming create an almost cybernetic feel, a hallmark of Fear Factory’s style. The album’s layered synths and occasional spoken-word sections add a sci-fi, cinematic quality that makes it feel larger than life.
Upon release, Obsolete was both a critical and commercial success, becoming Fear Factory’s best-selling album and helping to solidify their influence on industrial and groove metal. Its blend of heaviness, melody, and concept-driven storytelling made it a standout in the late ’90s metal landscape.
Final Verdict
Obsolete is a landmark album in Fear Factory’s discography, showcasing their ability to balance aggression with melody, concept with execution. While Demanufacture may have set the template for their sound, Obsolete refined and expanded it, offering a more dynamic and immersive experience.
For fans of industrial metal, dystopian storytelling, and machine-like precision in music, Obsolete remains a must-listen. It’s an album that not only holds up decades later but also continues to influence modern heavy music.
by RUE MORGUE RECORDS
